Sci-fi and horror have historically focused on White protagonists and their experiences, leaving Black audiences disregarded by the mainstream. But Black fans of those genres have been here all along.

Eddie Alcazar’s “Divinity” offers an alternative point of view. Pulling liberally from 1950s B-movies, film noir, porn, stop motion, and advertising, the black-and-white mindfuck of a film ...

Sci-fi and horror have historically focused on White protagonists and their experiences, leaving Black audiences disregarded by the mainstream. But Black fans of those genres have been here all along.