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Moore’s drawings made in underground shelters during WWII show us strangers whose lives had been shredded by grief, despair, and fear. Henry Moore, "Four Figures in a Setting" (1948), pen and ...
For the first time in nearly two decades, at the Dallas Museum of Art, a Henry Moore collection is on exhibit in the United States, reports CBS News Correspondent Bob McNamara. It is 60 years ...
An authentic artwork by celebrated British sculptor Henry Moore has been cleansed of its dark past, and is ready to be seen by the public once again.
Although Henry Moore recovered from a gas attack at the Battle of Cambrai during World War I, he never forgot his grueling experiences as a young machine-gunner in 1917. He witnessed many fellow ...
A sheet of drawings of reclining female nudes found in the Gurlitt hoard could be a previously unknown early work by Henry Moore that survived World War II, artnet News has learned. The undated ...
As a war artist, Henry Moore’s work was influenced by the Blitz, separated families and the threat of nuclear escalation.
The idea of Henry Moore drawing in the depths of the underground with bombs falling overhead has become such a potent part of the artist’s mythology, that it will surprise many to learn that ...
A sculpture by pioneering British artist Henry Moore has sold for £400,000 at auction after a bidding war. The lead sculpture, titled Mother And Child, is considered “extremely rare” as it is ...
A new exhibition and book explore the intersecting careers of two renowned British artists of the 20th Century: sculptor Henry Moore and photographer Bill Brandt.
A heaviness looms over the Yale Center for British Art, where its newest exhibition shows viewers the haunting reality of British life during the height of World War II. “Bill Brandt | Henry Moore” ...
Hildebrand Gurlitt tended to focus on French and German art rather than British. But he did deal in Moore’s work after World War II.
But Henry Moore's Reclining Woman: Elbow sculpture was yesterday moved for the first time since it was erected outside the gallery's new extension in 1982.
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