Dhuns are normally set to taals like Kaherva, Dadra and Deepchandi. As in the case of the thumri-dadra, the tabla player launches into the laggi section towards the end of the dhun or may choose ...
Over the past few weeks, we have been discussing ways in which tabla players choose to begin their accompaniment to the vilambit gats or the slow instrumental compositions set to different taals.
Some results have been hidden because they may be inaccessible to you
Show inaccessible results
Feedback