Somewhere in the stratosphere between Ohio and New York, cumbersome bodies bumping against pockets of turbulence, my mind ...

They arrive at my Salt Lake City apartment in the middle of the afternoon on the tenth of September, 2016, and we’re on ...

Sarah Hollenberg is a Canadian art historian and teaching faculty at the University of Utah in Salt Lake City. Her writing ...

In this episode, Meghan O’Rourke, poet, author and editor of The Yale Review, speaks frankly about pursuing a creative and professional life with chronic illness.Joining Lauren Wetmore in conversation ...

Long an idiosyncratic priestess of the limbo between myth and art, Joan Jonas has moved into pagan revivalism. They Come to Us Without a ...

I met Didier William in the fall of 2018, when he came to Pratt Institute to critique our undergraduate students. Didier and I talked about our varied experiences as people of color in academia. He ...

The best way to fuck something up is to give it a body. A voice is killed when it is given a body. Whenever there’s a body around you see its faults. The question is, now, in an artworld and social ...

In Matthew Wong’s oil painting See You On the Other Side (2019), a figure in blue stands at the edge of a frozen landscape and gazes out at a house beside a mountain. A red bird hovers just off shore, ...

These synecdoches for the reproductive labor of women—their conscription into raising, nurturing, and serving war’s combatants, even as citizenship in Lebanon is passed on only patrilineally—draw our ...

For nearly a decade, Leila Hekmat has been exploring femininity and its discontents within the far reaches of her interdisciplinary practice. Her aesthetic is unequivocal: the intoxicating mélange of ...

In between visits to Nadia Belerique’s exhibition, SLICE, at David Dale Gallery in Glasgow, I’d been engaged in moving flats for the first time since March 2020.The imaginative potency of private ...