The intense relationship between newlyweds Grace (Jennifer Lawrence) and Jackson (Robert Pattinson) drastically unravels after the birth of their baby in Lynne Ramsay’s ferociously maximalist ...

We visit the veteran British screenwriter at his home to reflect on the Julie Christie film that helped kickstart swinging London, his encounters with Kubrick, and the great fun he’s had writing ...

Every story is a gamble in these 10 films capturing the glitz and grit of Sin City – celebrating 30 years since Paul Verhoeven’s notorious backstage satire Showgirls.

A new restoration of Herzog and Kinski’s second collaboration, Nosferatu the Vampyre, is out on 4K UHD and Blu-ray in September. Kinski’s performance created one of cinema’s iconic vampires, and the ...

The BFI today announces the Future Film Programme – a year-round initiative to support and showcase young curators and programmers.

The humour might be inconsistent, but there’s real chemistry between Tom Basden and Carey Mulligan as former lovers and bandmates who meet again for a well paid one-off gig.

From bold Pride Month premieres to global cinematic treasures, June’s BFI Player film line-up is a celebration of identity, imagination and storytelling at its most powerful. Dive into a month of ...

Starring Ana de Armas as an assassin, the latest addition to the John Wick universe features lacklustre action, heavy-handed storytelling and underwhelming performances.

Nintendo's twist on the online shooter swapped guns, bullets and gore for spray cans, rollers and gallons of glossy, sloppy paint. Now 10 years old, we celebrate the franchise that threw teams of ...

As Memoir of a Snail comes to BFI Player, Andrew Osmond joins the dots of recent critically acclaimed animated features that have seen indie creators taking on the big studios.

The Australian stop-motion animator discusses his latest film, a ‘clayography’ of a snail-loving hoarder whose difficult life has caused her to retreat into her shell.

In our September 2023 issue, Lyonne spoke about the limitations of AI in filmmaking and the related risk of worker exploitation.