Liverpool Biennial 2025: BEDROCK, proposes, says director Sam Lackey, to explore and expose the city’s foundations, by ...

“As the midday sunshine streams through gallery windows, there is an almost tangible dread.” Mike Pinnington on finding the ...

Psychogeography is more than the psychological effects of the urban environment, argues Maisie Ridgway. Here, she explains why the movement has become a political statement, a seizure of power and a ...

In its still short lifespan, gaming has come a long way. It enjoys something approaching a ubiquitous presence, one whose reach extends to impacts social and political, as well as cultural. 2018 saw a ...

“From the situatedness of the city through to the mediated experience of the symbolic plane.” Anthony Ellis takes a look, via various Liverpool streets and eateries, at the weaving together of ...

As part of our new publishing collaboration with In Certain Places, here art historian Rosemary Shirley discusses the concept of nature and ‘wildness’ — an interest she shares with artist Rebecca ...

“Doing better is the overarching motif of Kaleidoscopic Realms.” Mike Pinnington on a group exhibition putting learning disabled and neurodivergent artists front and centre… Kaleidoscopic: having ...

It was difficult and complicated, but you told us what it feels like to be working class and work in the arts. Last year, after much umming and ahing, hand wringing, and conversation amongst ourselves ...

Cinema has a tendency to eat itself, with a constant search for the new, the exotic. The prefix new wave, against whatever country finds itself in vogue (in a very much pejorative sense), has become ...

Running in parallel to BEDROCK is the just-as-well established Independents Biennial which, this year, feels as ambitious as it ever has done. Taking place in an astonishing 120 locations across ...

A new exhibition at Tate Liverpool takes as its departure point the docks on which the building stands, before plunging us into the depths and beyond. Mike Pinnington reviews The Plant That Stowed ...

How often do we really examine curatorial contributions – not simply to an exhibition, but to the care and display of collections? Mike Pinnington considers ALL THAT REMAINS: A Curator’s Choice at ...