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George Steinmetz ... "Most aerial photographers work from helicopters or little planes, but he goes up on this crazy little thing," says Ruth Eichhorn, director of photography for the German ...
Through his photography, Steinmetz reveals typically unseen worlds. (Photo courtesy of George Steinmetz ... I also admire his aerial geometrics,” Fried said to The Daily. Steinmetz projected ...
US Photographer and geophysicist George Steinmetz documents industrialised food production with his long-term project “Feed the Planet”. His work displayed at Sharjah’s 9th edition of “Xposure” ...
Sharjah24: The mind-boggling scale of food production and consumption and its consequences on food sustainability for mankind was conveyed to a bewildered audience by renowned National Geographic ...
For Steinmetz, impactful photography is about more than just visual appeal. He believes every photograph should communicate a message and provide new insights rather than focusing solely on aesthetic ...
As aerial photography became more popular, more people saw the best views of the massive hot spring. National Geographic photographer George Steinmetz stood on the skids of a helicopter to get the ...
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Xposure 2025: 420 acclaimed visual artists to present 3,100 masterpieces across 98 exhibitionsGeorge Steinmetz’s awe-inspiring aerial photography of deserts, ecosystems, and human life has pushed creative and technical boundaries and will be presented in the exhibition “Feed the Planet.” ...
In striking aerial images, he captures the massive scale of ... Almost nothing stood in our way — nothing except ourselves. Photo by George Steinmetz, who did the photography for the Times piece.
In his "foodscapes," human, boats and machines all play a role. George Steinmetz, a pioneer in aerial photography, atop The New York Times building. His new book is Feed the Planet: A Photographic ...
In his mission to document the earth’s food supply, George Steinmetz recovers the human element in aerial photography — and in farming. Ahead of his new book, he brings our critic into the field.
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