When creating a harmonic progression, particularly for a song ... Chords I, IV & V are all major, whereas chords II, III and VI are minor. Chord VII is diminished, so we don’t tend to us ...

The following examples and study piece show how the harmonic minor scale can be employed over a bluesy Am-E7 -Am progression. The study piece itself features an additional Bm7b5 chord for some ...

When creating a harmonic progression, particularly for a song ... Chords I, IV & V are all major, whereas chords II, III and VI are minor. Chord VII is diminished, so we don’t tend to us it very often ...

Frequently, Kurt Cobain utilized harmonic sequences that moved ... Take a conventional pop chord progression you know, and change all minor chords to their parallel Major (e.g., Gmin becomes ...