No other works by the same hand are known. Names that have been proposed in the past include Jan Gossaert, Aert Ortkens, Jean Hey, the Master of Saint Giles, and followers of Hugo van der Goes or ...

Indeed, art historians see something of Jan Gossaert in the angel’s foreshortened faces and intensity of details suggests a familiarity with the work of Jan van Eyck and Hugo van der Goes.

The National Gallery has acquired an early 16th-century Northern Renaissance altarpiece with the Virgin and Child at its centre by an unknown artist that has not been exhibited since 1960.

and a painting of Adam and Eve by Jan Gossaert. Other works which they saw on their tour of the gallery, which was closed to the public until they left at 11.35am, included the Arnolfini Portrait ...

In the past, experts have suggested that the likes of Aert Ortkens, Jean Hey, the Master of Saint Giles, Jan Gossaert, and followers of Hugo van der Goes may have painted the altarpiece.

Stylistic parallels can be found with the early work of Jan Gossaert. The dramatically foreshortened faces of the saints and angels are reminiscent of some of his early drawings, for instance the left ...

Jan Gossaert. “The dramatically foreshortened faces of the saints and angels are reminiscent of some of [Gossaert’s] early drawings,” the National Gallery noted. “Both artists also used similar ...

Stylistic parallels can be found with the early work of Jan Gossaert. The dramatically foreshortened faces of the saints and angels are reminiscent of some of his early drawings, for instance the left ...

17 x 14 in. (43.2 x 35.6 cm.) ...

Stylistically, the work bridges influences. The dramatic foreshortening of faces recalls early Jan Gossaert, while its luminous textures pay homage to Netherlandish masters like Van Eyck and Van der ...

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