Joan of Arc is interrogated by the Cardinal of Winchester in her prison at the castle of Rouen, 1431 in an 1824 painting by Paul Delaroche.

Vincent Delaroche, who founded CAST in a Paris garage and, as CEO, led its expansion to serve clients in more than 60 countries, has been elevated to Chairman of the Board and Product Strategy ...

Original pieces of furniture, porcelain and art that Napoleon Bonaparte owned will be auctioned in Paris this summer—giving bidders a chance to infuse their homes with a little Empire-era style ...

Sotheby’s Paris to Auction an Intimate Inventory of Napoleon’s Reign With battle relics, love letters and one very famous bicorne hat, Pierre-Jean Chalençon's one-of-a-kind trove of ...

Salman Toor talks to Ben Luke about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work ...

Does This Mysterious Portrait Depict Lady Jane Grey, the Doomed Queen Who Ruled England for Nine Days in 1553? After conducting a new analysis, some researchers think it may be the only portrait ...

An intriguing portrait believed by some to be of England’s ill-fated queen, Lady Jane Grey, could be the only one painted during her lifetime, research suggests — but not everyone is convinced.

Researchers think they’ve unearthed the only portrait of England’s ‘nine-day queen’ Researchers described the new evidence as ‘compelling’ ...

Researchers may have found the only known portrait of Lady Jane Grey, which was defaced in an iconoclastic attack.

The most famous is probably The Execution of Lady Jane Grey, painted in 1822 by Paul Delaroche. In it, she is helpless and blindfolded in front of the executioner's block.

CAST: Technical debt, defined as the accumulation of outdated or inefficient code, imposes a global cost of over $1.3 trillion annually, according to McKinsey, and India is no exception.

A show at the Museum of Contemporary Art Chicago challenges the timeworn critics’ contention that painting is dead, expanding the idea of what painting can be.