Jennifer Lawrence’s wildly uninhibited portrayal of postpartum depression has rocketed Lynne Ramsay’s film “Die, My Love” into the awards conversation.

Meanwhile, Focus’ The Phoenecian Scheme, the latest work of whimsy from Wes Anderson, is dryly amusing and features his usual mindblowing production design. But it doesn’t possess the broad appeal of 2014’s The Grand Budapest Hotel, which was his only narrative feature that ever registered Oscar nominations beyond the writing and crafts categories.

While Dakota Johnson made her debut at the Cannes Film Festival in France, she made sure to see her old pal Jennifer Lawrence at the event.