Diljit Dosanjh’s film Punjab ‘95 is the only film from India that will premiere at the Toronto International Film Festival (TIFF) this year. The movie is based on the life of well-known human rights ...

Irrespective of its shortcomings, shines in portraying the city. One of the most beautiful and heart-warming moments centered on the city in this anthology can be found in the opening credits. MLC ...

In the midst of the pandemic, the Chhattisgarh police in Raigarh decided the best way to encourage public safety measures was to use Bollywood film dialogues in their posters, re-interpreting Bachchan ...

Last seen together in the 2021 horror comedy Roohi, Rajkummar Rao and Janhvi Kapoor have their second collaboration in Sharan Sharma’s romantic sports drama Mr. & Mrs. Mahi. They play a couple with a ...

The first few events in Ullozhukku (Under Current), directed by Christo Tomy, happen in quick succession. Life falls through Anju’s (Parvathy) fingers before she can chart a plan. From a wide-eyed ...

Vijay Devarakonda’s latest film, Family Star, is mostly unremarkable, save for one scene. It happens after an antagonist shows up at his house with an auto rickshaw and demands that his sister-in-law ...

From polite nostalgic laughter to crazy giggling, these films provide all kinds of laughs. Slapstick or situational, dark or fantasy, there’s something for everyone. A young villager (Jayaram) goes to ...

The arrival of an expensive big-screen epic only elicits extreme reactions. Given the scale and hype, the film is allowed to be either a masterpiece or a disaster. From the viewers’ point of view, it ...

OMG 2 is an extremely spiritual sequel to Umesh Shukla’s OMG – Oh My God! (2012), the hit satire that took aim at the commercial abuse of religion back when the world was a simpler place. The design ...

Tillu (Siddhu Jonnalagadda) is back and so is his deadpan humour. After being pulled by Radhika (Neha Sshetty) into a pool of dirt in the first film, he is scared of commitment on the personal front ...

It’s an approach that doesn’t really require the makers to take a stand on a real incident, but this approach removes an element of authenticity you usually get easily in films based on real-life. So ...

Premalu’s biggest LOL moment takes place when the romance tries to address the biggest problem we see with its predecessors. In a clever bit of self-referentiality, it acknowledges its protagonist’s ...