In May and June, I spent 100 hours painting my largest mural yet — a 2,000-square-foot wall in NoMa, in what sociologists ...

Like far too many people, Ryan Saavedra and his wife Danielle live with the pain of gun violence — in their case, the murder of their son four years ago.Saavedra is an artist and designer who has ...

Artists recently painted viaducts where Ricardo Alonzo and students had created environmentally themed historic murals a half ...

A shared love of an adopted hometown and its art brought Englishman Andrew Penn and American Kallie Blauhorn into each other’s orbits. The paths of the former Telstra chief exec ...

If you've been waiting to watch director Brady Corbet's Oscar-nominated post-World War II epic "The Brutalist" on streaming without purchasing, it's time to plan that movie night because the film ...

A monumentally brutalist, art-filled Medellin house by architecture studio 5 Sólidos on the Colombian city’s outskirts plays all the angles ...

Simonson noted: "The brutalist style of Boston City Hall by Kallmann McKinnell & Knowles presents a completely different architecture of the Colonial-era buildings that neighbor it.

In addition to the Art and Architecture Building, carefully restored in 2008 in accordance with Rudolph’s design, the architect left New Haven with a two-block-long, six-floor brutalist parking garage ...

'The Brutalist' Producer D.J. Gugenheim Settles the score on whether Brady Corbet was paid during production and the pic's use of AI.

The Brutalist offers some of the most startling images of the year, which Corbet sometimes lets breathe and sometimes barrels into with a writhing camera.

Nominated for 10 Oscars, Brady Corbet’s The Brutalist is an architectural metaphor come to life. The film challenges the foundations of post-war America, where the raw beauty of brutalism is as much a ...

The Brutalist ’s score is a prime example of film music’s tilt toward electroacoustic classical music, in which composers combine elements of the organic instrumental sounds we’ve come to ...