Robot painting reveals technology’s limits, but true artistry lies in human-machine collaboration, not AI hype.

They both dwell in the world of hyper-realism, a painting style that is anything but in vogue in the current age, and something not frequently spotlighted at such serious art galleries.

Writing in The New York Times, the art critic Roberta Smith said, “The mood in these paintings is introspective yet ever-so-slightly comedic even when things turn sinister.” Two years later ...

Sophie McAloone, the conservation manager at the Fine Art Restoration Company, said that "modern unvarnished" paintings like Rothko's Grey, Orange on Maroon, No. 8 are "particularly susceptible to ...