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Photo: Wyndham Garnett At fans' request and due to heightened popularity, Mikaela Davis and Southern Star return with Play ...
Seven bands presented everything from Blues to Rock to Americana to a little bit of County music and even some Grateful Dead tunes.
In the winter, St. Ambrose hosted a Grateful Dead tribute night called Truckin ... If you’re looking for more local art, swing by St. Ambrose 12-7 p.m. every Monday for the Honey Bee market ...
The celebration will include local Grateful Dead cover band Roundhouse Assembly, as well as Grateful Dead art and merchandise from downtown businesses. The book reading will begin at 6 p.m., with the ...
a Grateful Dead art fan,” Hammerel said. So, in addition to renaming the greenhouse Silver Stream Farm, artist Scott McDougall, who helped design cover art for more than 50 Grateful Dead LPs and CDs, ...
Not because album artwork is making a comeback, but quite simply because not many bands have the visual identity of someone like the Grateful Dead. It’s a little rich to talk about the holy nature of ...
Magner’s vibrant organ and electric piano riffs paid homage to Art Neville’s iconic keyboard ... s “Boogie On Reggae Woman”. Local Grateful Dead tribute band Splintered Sunlight kept ...
Furthered by ill-conceived and amorphous cover art (especially the group photo on the front), the nagging sense of discomfort may account for the fact that this was the last Grateful Dead long player ...
His philosophy was simple: Art should stir the viewer, inviting them to a higher plane. The idea recurs in the show in a French-blue Grateful Dead cover — of a skeleton, crowned with bloodred ...
Biffle, a California native who lives in Virginia Beach, created many posters for the Grateful Dead and provided the cover art for their live album, “Truckin’ Up to Buffalo.” Like Cohn ...
“Part of that is all the sustained, thoughtful moments that we have on the horizon to not just let it be a launch moment, but embed it in our culture and the Grateful Dead’s culture.” A launch party ...
Apart from James Mazza’s unusually distinct front cover art, the graphic design of this entry in the Grateful Dead vault enterprise is, like its music, borderline prosaic. Juxtaposed with ...