EXCLUSIVE: The film tells the story of Gabriele Münter and Wassily Kandinsky who helped found the 'Blue Rider' avant-garde movement of the early 20th century.

Kandinsky and Jawlensky were part of the Munich circle of artists now known as Der Blaue Reiter—a group that included Kandinsky’s companion Gabriele Münter, Franz Marc and August Macke.

The first major exhibition at H’Art, a former satellite of the Hermitage, explores how war and nationalism shaped the painter’s career.

What is a point? Or the temperature of a vertical line? Or the feeling of a colour? A Kandinsky exhibition in the new H’ART museum explains what the celebrated Russian 20th century artist was about ...

A show at the K20 Kunstsammlung Nordrhein-Westfalen in Düsseldorf puts Hilma af Klint and Wassily Kandinsky in conversation.

The influence, or confluence, of Picasso, Matisse and the futurists can be seen in various works in the Tate’s new show, Expressionists: Kandinsky, Münter and the Blue Rider.

In 1903, Wassily Kandinsky painted a figure in a blue cloak galloping across a landscape on a white horse. Several years later the name of the painting, The Blue Rider (der Blaue Reiter) was adopted ...

Expressionists: did Tate’s show need to emphasise the women when Kandinsky is the standout genius? Tate Modern refrains from hero-worshipping and uses too many curatorial buzzwords – but ...

Expressionists: Kandinsky, Münter and the Blue Rider opens at Tate Modern The enduring vision of a borderless creative community is chronicled in Tate Modern’s latest exhibition, writes Daria ...

Kandinsky veered away from recognizable imagery around 1911. Forms become less defined and concrete; space is rendered kaleidoscopic, turbulent, and bottomless. Kandinsky’s symbols can be relatively ...