Fear Street: Prom Queen is a slasher that spares no one from the clutches of brutal, bloody murder. Innocent high schoolers and grown-ups meet their untimely, gory doom—on prom night, no less.

On the latest episode of Dread Central’s Development Hell podcast, we’re joined by Matt Palmer, the visionary director and co-writer behind Fear Street: Prom Queen, the newest entry in Netflix ...

Fear Street: Prom Queen is a slasher that spares no one from the clutches of brutal, bloody murder. Innocent high schoolers and grown-ups meet their untimely, gory doom—on prom night, no less.

Fear Street: Prom Queen (2025) Film Review, a movie directed by Matt Palmer, written by Donald McLeary, R.L. Stine and Matt Palmer and starring India Fowler, Suzanna Son, Fina Strazza, Katherine ...

‘Fear Street: Prom Queen’ is a hollow, nostalgia-soaked slasher that stumbles through clichés, forgettable kills, and zero suspense. Even its 1988 setting and killer soundtrack can’t save ...

Fear Street: Prom Queen has now landed on Netflix and the horror sequel has a killer twist, so let's dig into its ending to explain who the killer is and why.

Shadyside serial killers are back in “Fear Street: Prom Queen,” which was released May 23 on Netflix as a stand-alone sequel to the “Fear Street” movie trilogy. Set in 1988 between the first and ...

The slasher film, Fear Street: Prom Queen, was released on Netflix on May 23, 2025. It is a continuation of the Fear Street movie franchise based on the 1992 novel, The Prom Queen, from the Fear ...

Fear Street: Prom Queen was released on Netflix on May 23, 2025. The teen slasher flick is the fourth movie in the streaming platform's Fear Street series.

Seattle's fifth Lez Prom, devoted to queer women and nonbinary folks, allowed people to be their authentic selves in a way ...

1988. Shadyside is a town overshadowed by a generational curse, but Lori Granger (India Fowler) and the other prom-queen hopefuls at Shadyside High aren’t going to let that dampen their spirits.

She thinks of Prom Queen as being about “taking pride in yourself, and taking and having agency over who you want to become,” which doesn’t sound too far off from the themes in John Proctor.