It's called "政権腐敗," which translates to "Power Corrupts," and it's a reinterpretation of the excellent title track "Masseduction." The song features the Japanese musician Toko Yasuda (who… ...

“Power Corrupts” pushes Japanese musician Toko Yasuda’s spoken-word vocals to the forefront, although Annie Clark still sings the hook.

For an Austin City Limits taping Monday, she returned with bassist/keyboardist Toko Yasuda and two faceless men. Specifically, two faceless men on drums and keyboards.

In 2000, he brought in bassist/vocalist Toko Yasuda; the Skeleton Key guys left, Schulz joined, and Enon became a full-time band, as capable of brooding electronic experimental pop as they were ...

While bassist Toko Yasuda, keyboardist Daniel Mintseris and drummer Matthew Johnson backed her during the episode, she performed “Severed Crossed Fingers” solo.

When Sleater-Kinney first played D.C. almost 25 years ago, the trio’s stripped-down, souped-up rock sounded like the future. Friday night at the Anthem, the Pacific Northwest band’s current ...

As St. Vincent and her backing trio took the 9:30 Club stage Saturday night, a robotic-sounding voice asked the full house to “please refrain from digitally capturing your experience.” Fans of ...

The stage bursts to life as Clark and Moog player and guitarist Toko Yasuda commence a robotic dance, skittering forward and backward at opposite intervals like wind-up androids; the lights strobe ...

Clark’s movement worked best when she had her feet beneath her: Occasional bits of choreography by Annie-B Parson found her and keyboard-guitarist Toko Yasuda inching up- and down-stage with the ...

But the band goes supernova live as guitarist/singer John Schmersal cavorts with the spastic energy of an evil puppy, bassist/singer Toko Yasuda striking karaoke poses with endearing abandon.

Performing her songs “Digital Witness” and “Rattlesnake,” she danced around the stage with cold, calculated steps, often invoking fellow band members Toko Yasuda and Daniel Mintseris to do ...