The film division of French game publisher Ubisoft plans to package “Watch Dogs,” “Far Cry” and “Rabbids” as its next trio of film projects it plans to set up in Hollywood.

The track record for Ubisoft film adaptations is… mixed, I guess you'd say. At one end of the scale is Uwe Boll's notoriously stinky Far Cry film from 2008, in the "so-so" region you've got some ...

Ubisoft has the rights to use Tom Clancy’s name in the film title. “When we started Ubisoft Motion Pictures we wanted to be able to maintain creative control of our franchises,” Baronnet said.

Ubisoft Film and TV Women’s Fellowship Recipient Scores Script Deal (Exclusive) Ubisoft's film and television division has signed a script deal with one of the recipients of this year's Women ...

Ubisoft's Watch Dogs film adaptation has finally begun production a decade after its announcement. The game first caught public attention at E3 2012, with players assuming the role of a hacker as ...

Ubisoft has made layoffs at its Red Storm division, which was responsible for the Tom Clancy series, among other things. The ...

Ubisoft’s film and television division on Thursday revealed that the two recipients of the company’s Women’s Film and Television Fellowship have signed script deals for their projects.

EXCLUSIVE: Ubisoft Film & Television announced today that it has appointed Jordan Cohen as Senior Director of European Live-Action Film and Television. In his new role, he will oversee the ...

Ubisoft’s film division has greenlit a feature about senior citizen esports players, to be written and directed by Abby Kohn and Marc Silverstein.

MONTREAL, Quebec – Video game publisher Ubisoft is touting the beginning of its entertainment convergence strategy with the unveiling of the first of three short films based on its popular ...

Ubisoft Film & Television’s mission is to bring Ubisoft’s award-winning games into new areas of entertainment and share originals stories set in the world, culture and community of gaming.

Ubisoft Film & Television isn’t setting any specific output goals in terms of annual film and TV volume, but rather a release slate that “serves both our players and broader audiences alike ...