The 15th-century tapestry Wild Men and Moors was recently featured in a series of tweets by Victoria Reed, the provenance curator at the Museum of Fine Arts, Boston.

They spent their childhood on the moors, a dramatic landscape that went on to influence and provide a fitting backdrop for Brontë’s turbulent, tumultuous tale of wild, uncontrollable passion.

Also, the moors in this production at St. Ann’s Warehouse, performed last winter at the National Theater in London, are not just the locale, which Vicki Mortimer’s rough wooden set suggests ...

Victoria Reed, the provenance curator at the Museum of Fine Arts, Boston, has been sharing the history about a work from the collection each day on Twitter while the museum remains locked down ...